It's cold. That's the first thing Serenes feels. Shockingly, soul-numbingly, cold. Her fingers lose the ability to feel anything almost instantly, and and it takes a little while to adjust to it, and for feeling to be restored. Once she can feel again, and her fingers no longer feel like they're about to drop off, she begins to explore.
There's wire, plating, oil, to be sure, but as she runs her hands through the unbeast's guts, though, she begins to feel something more than just metal .There are odd, cylindrical chambers in the thing's chest, flanged cylinders with a slick glossy surface that feels almost like ebony. Two of them, either side of its chest … lungs? Possibly. Between them, she finds what can only be a heart - a segmented, fist-sized mechanism that yields slightly beneath her touch, emitting an audible clicking. She squeezes harder, testing its articulated surface for resistance and give.
It gives. A jet of pressurised liquid spreads out of its top, spattering against the wall. It narrowly misses Sadene's face - the Dunmer leaps back in shock and horrow - and promptly begins to dissolve its way through the stone of the wall. It hisses, bubbling like a kettle of water over a cookfire, and, seconds after she exclaims her distress, the wave of vapour hits her, and she wrinkles her nostrils. It's not the chemical, corrosive smell she'd been expecting, but smells more like spirits of alcohol - slightly sweet, with hints of anise, and extremely volatile.
Sadene - flitting madly between outrage at Serenes' carelessness, terror at what's been unleashed, and exultation at the new discovery - darts between the hissing splatter on the wall and her Bosmer companion, unsure of whether to slap her on the face or the back. She begins to babble.
'What the … by Vivec's golden balls, what did you just - this is incredible - unbelievable! How on Nirn did you make it do that you just - you just - we've never - seen anything - like - that - be - fore …'
She begins by babbling, but her words slow, slur, run together. Her movements do much the same - she never exactly stops, but the young necromancer has somehow lost her vitality, her grace, her coordination. Stepping back to look at the wall - now eroded down to the packed earth behind it, and looking somewhat unstable - she stumbles, trips over the corner of the slab on which the Argonian was lying. She doesn't catch herself - can't - but crumples to the ground with a soft thump, splitting her lip in the process, and lies there - unmoving.
Serenes steps forward, wanting to offer help - but something's afflicting her, too. Her feet trace out unfamiliar patterns on the floor, unlimbered from any sense of balance and support, and she's fast losing the ability to map out her surroundings by sound alone. She staggers forward a couple of steps, trips over Sadene, and falls to the cool stone floor. As she blacks out, all she can hear is the malevolent hissing and gurgling of the heart's blood.
~~~
She wakes in a city. It's dark, around twilight. The buildings are sketched out in charcoal, the merest suggestions of forms against the blue-black sky. The moon - or what she takes to be the moon, although it's bigger and brighter than she's ever seen - traces out a seemingly random path through the sky, reversing direction, stopping, travelling in esoteric orbits over the rooftops. The city is deserted. It's silent.
Serenes pulls herself to her feet, dusts herself off, checks that she's still got everything on her. Her dagger is in her bootsheath, her bow is on her back. Damn it, she can barely see anything like this, if only she'd thought to bring a torch. Wait. What? 'See'? 'Torch'? Huh. That's odd.
As her eyes become adjusted to the gloom, she notices a few odd details about her surroundings. She's in an alley, full of overturned barrels and packing materials - a few of them rocking gently, as if they've just been overturned. There's a body at her feet - no, not a body - a woman, with the grey skin and knife-like ears of a Dunmer, matching her earlier mental image of Dres Sadene. She's hurt - pretty banged-up from her fall - but not seriously, and seems to be peacefully asleep right now. On the wall, someone's nailed up a piece of paper with some writing on, and Serenes strains her eyes to read what it says.
KNOW THE TRUE CREATIONS OF THE WITCH!
By Makes-His-Kill
Scripts (the sets of Ehlnofex incantations that contain the genesic Earth Bones) being called Objects might be confusing to some people. Scripts are added to objects in Nirn, they describe their behaviour and functionality. They are the 'soul' of a static mesh made out of sacred triangles and covered with a few textures which make it look real. Papyrus scripts are what makes it real. What makes it a true, 'full' object.
Since they add functionality to base objects they are appended to and employ object oriented paradigms like inheritance, abstraction and encapsulation (through the use of properties which, among other things, serve as a getter/setter mechanism), they can be considered as objects, as long as you keep the former in mind. They are the strings behind the puppets, together they make a sufficient whole. An object.
Sadene turns over at her feet shifting slightly to avoid a couple of odd-looking halves of some empty glass capsule, yawns and snuffles in her sleep, before settling again. The whole situation is decidedly odd.
~~~
Rajee takes the toy from her, examining it carefully. His expressionless eyes rove over its surface, over marks of care, love, affection, over the slightly ragged edge of one ear where Chzarr used to gnaw at it. For all the care of his scrutiny, though, he doesn't seem to take in what he's looking at at all - he regards it without comprehension, staring at it without seeing a thing. His hand shudders - a curiously uncontrolled movement for the Shadowscale assassin - and he drops the wolf into the overflowing gutter. It floats away, just another piece of refuse making its way out to the Akaviri sea.
Rajee's already forgotten that there even was a wolf, though, and honestly can't remember why he even sent Serenes out in the first place. He turns back to her with a martial snap, suddenly all lethal poise and bearing. With thoughts of murder and assassination, he's back on familiar ground.
'You're a better killer than a liar. I can taste the blood, it's all over your blade. I realise that mer have pretty dull senses, but come on, Vajeetel. Remember who you're talking to. Who. Did. You. Kill?