Therin
Active Member
Kir, would you mind PMing me about what you have planned for the temple? I just want to make sure my character isn't standing in the middle of the building and you have it explode, or something.
And I promise that I won't give away anything if I need to tweak my character's location/activity a bit. I absolutely hate it when a writer says, "Oh, my character decided to leave because he felt a dark energy closing in on the temple." Really? Boy, isn't that feeling awfully convenient. And how does your character know what that feeling means? Has he felt dark energy descending on a temple before for comparison? That kind of deus ex machina is one of my pet peeves.
((For those not familiar with the term (other than from the video game), wikipedia defines as such: deus ex machina is a plot device whereby a seemingly unsolvable problem is suddenly and abruptly resolved, with the contrived and unexpected intervention of some new event, character, ability, or object. Depending on how it's done, it can be intended to move the story forward when the writer has "painted himself into a corner" and sees no other way out, to surprise the audience, or to bring a happy ending into the tale. A deus ex machina is generally deemed undesirable in writing and often implies a lack of creativity on the part of the author.))
And I promise that I won't give away anything if I need to tweak my character's location/activity a bit. I absolutely hate it when a writer says, "Oh, my character decided to leave because he felt a dark energy closing in on the temple." Really? Boy, isn't that feeling awfully convenient. And how does your character know what that feeling means? Has he felt dark energy descending on a temple before for comparison? That kind of deus ex machina is one of my pet peeves.
((For those not familiar with the term (other than from the video game), wikipedia defines as such: deus ex machina is a plot device whereby a seemingly unsolvable problem is suddenly and abruptly resolved, with the contrived and unexpected intervention of some new event, character, ability, or object. Depending on how it's done, it can be intended to move the story forward when the writer has "painted himself into a corner" and sees no other way out, to surprise the audience, or to bring a happy ending into the tale. A deus ex machina is generally deemed undesirable in writing and often implies a lack of creativity on the part of the author.))