Docta Corvina
Well-Known Member
I've read that on FB
As far as I'm concerned, despite the film's name, Peter Jackson doesn't only use the Hobbit for his movie: he uses elements from other stories as well. A few of the events and characters come from The Quest Of Erebor, which is Tolkien's name for the larger, more inclusive story. Maybe the extra character Jackson added comes from this version.
According to a few 'experts' on the internet, there's actually very little in The Hobbit film that's not taken from Tolkien's writings. The Hobbit was written before Tolkien decided that it would be a part of his Middle-Earth universe. There are many editions and versions of the original story where he changed events and characters.
...Maybe (but I really don't know ) this is the reason why that character is in the movie and not in the book...
This is certainly true, that Jackson is utilizing material from other works of Tolkien. Azog, the Pale Orc, is something of a passing reference in The Hobbit novel, but obviously Jackson saw fit to greatly increase his presence for the film(s), to add that element. Same with the Necromancer subplot, in that it wasn't part of the book but it's being included as a kind of interesting thematic bridge between Jackson's Hobbit and LotR films.
My problem is that this character was apparently created completely, manufactured to fill some sort of perceived void, to serve some sort of purpose in the film(s). And if what we're hearing is true, if that purpose is even partly romantic, when romance was not even any sort of real theme in the novel, I find it rather troubling.
I don't mind the kind of slight "remixing" of the material when it's drawn from existing lore content nearly as much as I mind the invention of characters. Especially when they seem to be designed as the executors of plot devices that weren't even present in the original story. Pjack saying "well, the Hobbit needed more women, so here!" just doesn't cut it for me. Because I don't feel like it does at all.